Canon EOS C100 Mark II Side Silhouette

Hot news! Canon EOS C100 Mark II – revolutionary or evolutionary?

by Hugh Brownstone6 Comments

Canon Announces Canon EOS C100 Mark II, And It’s Worth Checking Out

New tilting viewfinder (with real eye cup!); properly hinged OLED LCD; Dual Pixel CMOS AF standard; built-in LUT; wireless connectivity (including remote control via your iPhone or iPad); 60p; and an upgraded DIGIC processor with ISO up to 80,000: Canon has been listening.

The uncharitable view might be that this is what the C100 should have been from the very beginning – and maybe still not quite enough given the latest competition — but let’s not quibble.

At least on paper (and in the press kit photos), Canon appears to have addressed most of the major shortcomings of the C100  — and a couple of minor ones, like battery release button where it makes sense; menu navigation joystick right on the LCD; and an on-board mic without the need to attach the handle — while keeping the price the same as the original when it was first announced.

The Canon EOS C100 Mark II is a real upgrade, folks.  You can read more about it in the official press release below.

Canon EOS C100 Mark II highlights:

  • Dual Pixel AF (was add $500 add on previously)
  • Added 60fps in 1080HD
  • AVCHD and MP4
  • DIGIC DV4 image processor
  • Dual SDHC/SDXC slots
  • ISO 320-80,000
  • Canon Log and Wide Dynamic Range Gamma
  • Bigger OLED LCD which swivels out of the way
  • Menu controller on LCD
  • Added on board mic
  • Built in WiFi
  • Available December 2014
  • $5,499

planetMitch note – no, there's not 4k — As I expected, Canon feels 4k is still not something needed in the lower end cameras – this is a good upgrade – not revolutionary, but evolutionary. They'll sell tons of these!


Pre-order at B&H: Canon EOS C100 Mark II

Canon EOS C100 Mark II

Canon EOS C100 Mark II Side Silhouette

Canon EOS C100 Mark II Side Silhouette

Press release

MELVILLE, N.Y., October 21, 2014 – Canon U.S.A. Inc., a leader in digital imaging solutions, announced today the Canon EOS C100 Mark II Digital Video Camera, the latest edition to the Canon Cinema EOS line of professional Super 35mm 8.3 megapixel CMOS cameras and the second-generation version of the popular Canon EOS C100 Digital Video Camera.

Designed for economical film and video productions such as documentary and remote broadcast crews, wedding and event coverage, indie film productions, as well as film schools and business and government users, the new EOS C100 Mark II Digital Video Camera, features advanced image processing, AVCHD and MP4 1920×1080/60p recording, uncompressed YCbCr output from HDMI, and many other new and enhanced capabilities for improved picture quality, operability, and convenient handling. Delivering a cinematic look with shallow depth of field and high sensitivity in low-light environments, the new EOS C100 Mark II camera weighs just 2.5 lbs. and is compatible with over 103 Canon EF Series lenses, including STM models which can deliver smooth and silent autofocus during filmmaking.

“Canon’s commitment to the advancement of tools for visual expression takes another major step forward with the introduction of the EOS C100 Mark II Digital Video Camera,” said Yuichi Ishizuka, president and COO of Canon U.S.A., Inc. “Drawing on input from Canon’s global community of Cinema EOS camera users and from digital filmmakers using Canon EF lenses – 100 million of which have now been produced worldwide[i] – the Company has added new capabilities to the EOS C100 Mark II from its predecessor that powerfully leverage our considerable expertise in optics, imaging, and digital signal processing. The result is an improved, affordable Super 35mm CMOS digital camera that is designed to provide outstanding HD image quality, operational performance, ergonomics, and workflow convenience.”

Design Enhancements
Optimized for one-person operation, the new EOS C100 Mark II camera has a mobile core design enabling users to choose their preferred style of shooting. The existing design has been enhanced to include a large-size detachable eyecup for the camera’s large 68-degree tilting 0.45-inch 1.23 megapixel color EVF (electronic viewfinder). Clearly marked red trigger buttons on the camera body, top handle, grip, and a built-in mono microphone on the camera body ─ for times when the top handle is not attached ─ can be used to capture basic sound for audio notation or as an aid to audio syncing during post.

Another major redesign of the new EOS C100 Mark II over its predecessor is an innovatively hinged 3.5-inch 1.23 megapixel OLED display panel, delivering 100 percent field-of-view coverage, wide color range support, and improved viewing even in bright sunshine. The new hinge design ─ which folds the panel shut when stowed, protecting the OLED surface ─ opens 180 degrees to reveal function keys and a joystick. The panel can open even further to 270 degrees to deploy against the side of the camera to provide monitoring for directors and other production personnel. Additional design improvements on the camera body include 17 assignable recessed function buttons, dual SD card slots with a transparent cover, and a simplified battery insertion and removal release.

Visual Expression
Previously available only as an optional upgrade for earlier Cinema EOS models, Dual Pixel CMOS AF is a standard feature on the new EOS C100 Mark II, providing enhanced autofocusing capability. The Dual Pixel CMOS AF technology helps provide smooth and consistent autofocus, so that focus transitions are natural looking and subjects can remain in focus even as they move off center. In addition, the compatibility of Dual Pixel CMOS AF with Canon EF autofocus lenses combines outstanding optical tools with a wide range of creative options. It’s ideal for shooting sports, weddings and many more productions where focus pulling by a single operator is not feasible, such as when the video camera is attached to steadicams or drones. The EOS C100 Mark II Digital Video Camera also includes Face-Detection AF[ii], a first in the Cinema EOS camera line, which utilizes contrast detection AF to maintain focus across most of the image plane, an advantage in one-person electronic news gathering (ENG) situations.

Imaging and Recording
Central to many of the new features of the new EOS C100 Mark II Digital Video Camera is its advanced Canon DIGIC DV4 image processor. The Canon DIGIC DV4 image processor separates the RGB output from the camera’s 8.3 Megapixel CMOS imager into three individual 8 megapixel signals (as opposed to 2MB in the EOS C100) for noticeably improved image quality. The Canon DIGIC DV4 processor also includes a new debayering algorithm to help minimize moiré and reduce video noise even at high ISO speeds. (high-sensitivity recording on the camera ranges from ISO 320 to 80,000).

Another important benefit of the Canon DIGIC DV4 processor is Full HD recording in both the high-quality professional format AVCHD or the popular web-friendly MP4 format at a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates (up to the smooth look of 59.94p) to suit practically any production need.[iii] For special-effect requirements, slow and fast motion MP4 recording at up to 1920×1080/60p can also be performed.

Users can choose from multiple formats that support MP4 or AVCHD to suit a wide variety of production, post, and output needs. The EOS C100 Mark II camera’s dual SD card slots can record in one or both formats simultaneously[iv] for back-up, or convert AVCHD and MP4 files into smaller MP4 files for web upload.[v] Extended clip times can be achieved by recording continuously from one card to the other without a break. In addition, a Data Import Utility application is included that can seamlessly join divided files to help reduce work during editing and to import video file data from an SD card inside the camera or a card reader.

As with the other cameras in Canon’s Cinema EOS line, the new EOS C100 Mark II Digital Video Camera includes Canon Log as a recording choice, providing maximum dynamic range for post-production color grading. New, however, is the addition of a built-in LUT (look-up table), enabling users to view the camera’s live video signal in Wide DR (dynamic range) or the BT.709 (TV standard) color space on the OLED or any external monitor connected to the camera’s locking HDMI® output (this feature can be turned off in the menu). Uncompressed video output (with time code data and 2:3 pull-down markers superimposed) can be output via HDMI to an external recorder.

Connectivity Innovations
The addition of wireless file-transfer capabilities further expands the versatility of the new EOS C100 Mark II camera for multiple production applications, including transferring time-critical news video or backing-up files. Utilizing dual 5 GHz and 2.4 GHz frequencies, the camera can transfer video files via FTP server for instant relay, or send MP4 video to the web browsers of laptops or tablets for viewing and storage (even on PC’s lacking playback software). Remote control of the camera is also enabled via a compatible smartphone, tablet, or laptop. The new EOS C100 Mark II Digital Video Camera also includes compatibility with the optional multi-functional Canon RC-V100 Remote Controller, which can be used to adjust image quality and other important operations from a distance, a handy feature for shooting from a jib arm, drone, or other inaccessible location.

In addition, the optional Canon GP-E2 EOS GPS Receiver can be connected to the EOS C100 Mark II Digital Video Camera using a USB cable to record location and time information during shooting, a helpful feature for editing and archiving.

Pricing and Availability
The Canon EOS C100 Mark II Digital Video Camera is scheduled to be available at the end of December 2014 for an estimated retail price of $5,499.00.

About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With approximately $36 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents granted in 2013† and is one of Fortune Magazine's World’s Most Admired Companies in 2014. In 2013, Canon U.S.A. has received the Readers’ Choice Award for Service and Reliability in the digital camera and printer categories for the tenth consecutive year, and for camcorders for the past three years. Canon U.S.A. is committed to the highest level of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. In 2014, the Canon Americas Headquarters secured LEED® Gold certification, a recognition for the design, construction, operations and maintenance of high-performance green buildings. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting and follow us on Twitter @CanonUSA.


† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Availability, prices, and specifications of all products are subject to change without notice.  Actual prices are set by individual dealers and may vary.

[i] Refers to EF Lenses, EF-S Lenses and Cinema Lenses produced worldwide from 1987 to First Half of 2014.

[ii] Requires use of Canon STM lenses.

[iii] For complete specifications on bit rates and corresponding frame rates and recording formats please visit:

[iv] This function records the images on the card in the sub slot as well, while images are concurrently being recorded on the card in the main slot. Users have the following selection options for the format with which to record the images on the card in the sub slot.

(a)           Slot recording using the same movie format (AVCHD/MP4)

(b)           Different MP4 (4 Mbps or 3 Mbps) recording in sub slot from main slot However, 28 Mbps (AVCHD) and MP4 (4Mbps or 3Mbps) as well as 35Mbps (MP4) and   MP4 (4Mbps or 3Mbps) double-slot recording is not possible.

Use of double-slot recording together with slow & fast motion recording or relay recording is not possible, and if such an attempt is made, double slot recording takes priority.

[v] Footage shot in the 28 Mbps mode for AVCHD and 35 Mbps mode for MP4 cannot be converted.



(cover photo credit: snap from the video)


  1. Nice improvements. For me this could be the best camera out there (considering independent work and 1 person shooter combined to Canon glass owner with the objective of delivering a digital cinema look/style). But the lack of a SDI out and a decent codec for grading (you need to do it hence you bought the camera) like the 4:2:2 50mbs mxf that Canon already ships with the cheapers 105, 205 and 305.

  2. C100 owner : Not good enough. No touch screen for AF or movable point, set A to B for pulls perhaps with trigger. No 4k Again in any form including no 4k out via HDMI. No external audio controls while handle is not in place. So much no… so little yes. Gluing parts of the C300 onto the same camera does not make us upgrade or even consider it. Canon are lost at see and Sony have the lifeboat.

  3. ClaireMcHardy – I think you want to much. Touch screen is maybe nice. But no serious pro camera have it (red, alexa, F5, Ajacion, etc) so not a really dealbreak. 4K? Well is nice. I own a 4K camera now (4K TV aka UHD) and nice of course, but I understand that to release 4K Canon will put it in another line and more expensive (C300 MKII) not the C100 at least in the next 2 years. External audio controls yes, but you have it on the handle so it’s more a question of space to put it on the body that compact. Sorry to disagree a bit with you but I tried to explain why.

  4. C100 II body 5500.00
    Sony Fs7 body: 8000.00

    Now let’s make the C100 functional for work. Add:
    Hand held rig  600.00
    Alphatron EVF 900.00
    Atomos External Recorder  995.000

    We’re now at about the same price but C100 still won’t do 4k, 4:2:2 internally, 10 bit,  require a non-standard baseplate for using rods and have the most ergonomically goofy place for XLR’s, and no SDI.

    Give me a better reason to buy this.

  5. TS Naylor – You think the rig is necessary? I never used the C100 but I think I can use it hand held pretty good. With a IS lens at least. And the EVF is needed? Now they have a eyecup and the monitor (tilted now) is quite good no? About the rest you’re absolutly right man. No 10bits 4:2:2 50mbs recording is a big no and of course SDI to compliment the HDMI is paramount in a pro camera.

  6. are you kidding me,,,another scam by canon corp. to steal money from people with a camera that was crippled in the first place so they made millions and now they put the features it was suppose to have in it and they make millions more and it is all a scam.why do you people stick up for a corperation that cares nothing for you accept when you open your wallet.these features are on my little point and shoot,,no touch screen?its on my small carry pocket camera for christ sakes,,,

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