This is the first set of clips we’ve seen from the RED Epic Dragon – this footage is indeed pretty wild! Shot at 6k by Moark Tola and released just a few quick hours ago! Just had to get this post online ASAP!
While we all know that RED is making some great gear, we also know that they’re on the bleeding edge. The upgrade for this sensor is $9k all by itself (included the pricing on the bottom of the page) and I don’t know when this sensor will be shipping, but this is indeed some amazing footage. Of course, you’re also going to need to have some incredible lenses to match the 6k sensor and you’re going to also need a treasure trove of hard drives to handle all the footage — see in Moark’s description that individual frames are 109mb!
The dynamic range is amazing as you’ll see.
You can download the footage if you are a vimeo member and are willing to wait while over 370mb downloads – I’m still waiting on mine. Original .MOV file (1920×960 / 379MB)
RED EPIC DRAGON – ITS THE REAL DEAL ![tentblogger-vimeo 71666317]
Moark Tola’s description:
The Red Dragon sensor has 3 F STOPS more than before. 1 in the hight lights which rolls over wonderfully !, 2 solid extra stops in the darks…. maybe 3 once the colour science has been perfected.
But there is still noise, but nothing like before. I ran some 250d 2k film rushes next some of my 4000asa stuff, And silly as it sounds, it looks like film grain, not noise. Don’t ask me how, as I wouldn’t have a clue. But it looks great !
Red Dragon now has the best highlight fall off I have ever seen from any digital camera. Beating film! Big call I know, but after shooting film and pushing it around in telecine chains for more than a decade, I can categorically say that this new sensor has a better range than film ever had.
Single still frames compared to a top of the line professional 35mm Digital stills cameras, I’m going to say that the EPIC matches, if not betters most. Don’t ask me how they do it, but every single frame from the DRAGON is 109meg !! @16bit when saved as a tiff from RCX. and at 100 Frames per second, I tell you this… someone has sold there sole to the devil.
If you are a pro photographer, you are mad if you don’t have this camera in your tool box. You quite literally will never miss a single shot.
Is Dragon better than 65mm Film…. (with good lenses) YES. No shit…
The images out of the Dragon are so smooth now… so so smooth, like low asa large format film.
The Dragon is more stable than my current MX EPIC’s.
The SONY F65 I rate as having the best sensor in the market for a production cine camera. Yes.. it’s better than the EPIC- MX. (I’m not going to harp on about the size of it or the price comparisons).
Even Jim knows that Sony have done very well with the F65 sensor and that was obviously pissing him off, because his new Dragon sensor has just given the the F65 notice.
All the F65 SONY purists out there will dispute this. But I have Sony files here with me, and I’m looking at both side by side… and Dragons grain (noise) structure is cleaner and it has more range.
Dragon is now the King. (AND… I’m not going to harp on about the size of it or the price comparisons). or did I ..ha !
The single one sentence i can say that can sum up everything is this..
It’s the first camera ever that I have used that captures exactly what I see with my own eye.
Never have I seen this before. !
My only question is how do you shoot that many different scenes and different locations in 2 days?
(cover photo credit: snap from the video)