We’re pleased to share one of the first 3D motion-controlled timelapse shot on Canon EOS 5D Mark IIs with you – shot by Brad Kremer, Peter Chang, Stewart Mayer of CamBlock and others called “DEUS EX HOMINE”. It also features San Francisco and the sculptures of Jeremy Mayer.
I present to you some of the first stereoscopic 3D motion-controlled (moco) timelapse footage in the world, featuring the beautiful San Francisco Bay Area, server farms, and typewriter sculptor Jeremy Mayer at work with his intricate and lifelike “robots” built out of typewriter parts. This was a test for an upcoming project and was shot entirely on Canon 5D Mark II DSLR’s in both parallel and beam-splitter configurations for true, native stereo capture at 5.6K resolution RAW.
UPDATE: 11am – just got an email Kris Koenig from Interstellar Studios letting me know this isn’t the “first”
The statement is not accurate – both Mirage3D and ourselves (and we assume many others) have been doing motion controlled stereo timelaspes for several years on the 5DmII.
The 2D version from vimeo
The 3D Version on Youtube
Note: It is presented here in ‘side by side’ mode (where you can cross your eyes to see the 3D), but I think to watch in other 3D forms (with glasses etc), you have to go to the youtube site
Peter H. Chang’s Description
This was a stereoscopic 3D motion-controlled (moco) timelapse test for an upcoming project. It is meant to be viewed in stereoscopic 3D.
Blu-ray 3D (1920 x 1080p24 to each eye) and 4K 3D (4096 x 2160p24) available upon request.
Brad Kremer and Stewart Mayer of camBLOCK flew out for three days of shooting at the end of March. It rained the entire time they were in town so we were confined to interiors, which turned out to be a bit of a blessing in disguise since those shots turned out to be some of the more impressive ones in 3D.
After the weather cleared, I shot for an additional nine days around San Francisco with assistance from Simon Christen, Noah Hawthorne, Christopher Fuzi, Robert Mooring, Josh Golz, and Paul Leeming.
There were some major technical hurdles with both capture and post, but once we saw the results in 3D, it was well worth it.
Special thanks to Jeremy Mayer, Cisco Systems, Gather Restaurant, San Francisco Flower & Garden Show, The Millennium Tower, The Port of Oakland, and the San Francisco Film Commission for giving us access to some great locations and subjects on short notice.
Edited by Peter Chang
Color correction and grading by Brad Kremer
Produced by Peter Chang and Christopher Frey
Music by Michael McCann “Icarus”
(cover photo credit: snap from the video)