Posted on 09. Sep, 2010
UPDATE: There’s a great interview with the guys behind this over on 16x9cinema. Give it a listen!
This very interesting concept High Dynamic Range (HDR) video that was shot with two Canon EOS 5D Mark IIs (reviews) has quickly gone viral. I don’t know if that was because of the Canon EOS 5D Mark IIs or because of the fact that the only “HDR video” we’ve seen so far has been stills stitched together to make a video. Soviet Montage Productions (and no, they’re not from Russia) issued a press release which answers some questions (read it below the video). But we also contacted Michael Safai of Soviet Montage and asked them a few questions.
Why’d you pick the Canon EOS 5D Mark II to create this video?
Would you please tell us a bit more about the process you used to create this?
We’re still working out how much we want to reveal about our process, so keep an eye on our website for more info in the near future.
Will you be producing a product or is this just a process that you’ve perfected? I’m assuming it could be used with other cameras as well right?
Admittedly we’re a bit surprised by the popularity of the footage we’ve released (over 82k hits now in just 6 hours). So next steps weren’t the first things on our minds, as our team has day jobs. We’ll likely spend the weekend figuring out which way to go, but ideally we’d love to get some investors who can help us refine and improve our methods. We think we’ve just scratched the surface here.
Personally, I am not a huge fan of HDR photography because much of what I see is overdone, but, under the right circumstances, I think it can be absolutely brilliant and I can see uses in video as well. Now, 3D on the other hand…
So, after you watch this video, sound off in the comments below – good or bad? Useful?
Pyotr Ilyich Tchaikovsky
Opus 40, Number 9
Performed by Kevin MacLeod
Licensed Under Creative Commons “Attribution 3.0″
Here’s the Soviet Montage Press Release
San Francisco, CA, September 9, 2010: Soviet Montage Productions demonstrated today the first true HDR video sourced from multiple exposures. Unlike HDR timelapse videos that only capture a few frames per minute, true HDR video can capture 24 or more frames per second of multiple exposure footage. Using common DSLRs, the team was able to composite multiple HD video streams into a single video with an exposure gamut much greater than any on the market today. They are currently using this technology to produce an upcoming film.
Benefits of Motion HDR
HDR imaging is an effect achieved by taking multiple disparate exposures of a subject and combining them to create images of a higher exposure range. It is an increasingly popular technique for still photography, so much so that it has recently been deployed as a native application on AppleÃ¢â¬â¢s iPhone. Until now, however, the technique was too intensive and complex for motion. Soviet Montage Productions believes they have solved the issue with a method that produces stunningÃ¢â¬âand affordableÃ¢â¬âtrue HDR for film and video.
The merits of true HDR video are various. The most obvious benefit is having an exposure variation in a scene that more closely matches the human eyeÃ¢â¬âthink of filming your friend with a sunset at his or her back, your friendÃ¢â¬â¢s face being as perfectly captured as the landscape behind them. HDR video also has the advantage of reduced lighting needs. Finally, the creative control of multiple exposures, including multiple focus points and color control, is unparalleled with true HDR video.
Ã¢â¬ÅI believe HDR will give filmmakers greater flexibility not only in the effects they can create but also in the environments they can shoot inÃ¢â¬Â said Alaric Cole, one of the members of the production team, Ã¢â¬Åundoubtedly, it will become a commonplace technique in the near future. Ã¢â¬Â
(Photo credit: snap from the video)